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Interactive Technician
Born in Beijing,
Based in New York.




"Flenka's imagery fluctuates between soft, dreamlike visions—echoes of a life half-remembered—and violent bursts of frustration, where technology itself becomes my accomplice in chaotic, vibrant manifestations."


I am an artist who, through a combination of video installations and collaborations with artificial intelligence, invites people to perceive in an emotional way the impact of globalized, digitized, and networked life on people's personal space as well as identity.   
On the journey to realization, I have often fused Sonic Art with digital art, creating a reflection of the human experience by intertwining the personal with the digital, sharing a life that is both whimsical and contradictory. I analyze space and time and use them to reveal parallels between our perceptions and those of artificial intelligence. She transforms the complexity of living in the digital age by applying technological mediums to my advantage.


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INTRODUCTION


EDUCATION
Pratt Institute Art & Tech BFA
Brooklyn, NY
2021-2025

Brijing NO.4 High School
Beijing
2017-2020

EXHIBITION
Nothing Island
Flux Factory
Governor Island, Brooklyn, NY
2023

MSCI Science Art Show
Pratt ARC,Brooklyn, NY
2024

ZOOM
3 Aliens In A Saucer
The Game Developers Conference (GDC), San Francisco, CA
2025

Naturalis Mathematica(solo)
Pratt DDA Gallery, Brooklyn, NY
2025

AfterLife | Best of Art&Tech
Steuben Gallery, Brooklyn, NY
2025

AWARDS Best of Art & Tech Award
Pratt Institute
2025

Audience Choice Award
Pratt Digital Art Department
2025

PRESS
Deep Spring, Issue 1
Deep Spring, Issue 2
Xinwei Li
2020                  


Last Updated 25.8.19
Selected Works







Naturalis Mathematica 2025



The work draws from sacred geometry, computer vision, and ancient ritual systems. It reflects on the human desire to interpret the unknown through pattern, logic, and symbol. Rather than telling fortunes, the piece questions how artificial intelligence, once a tool of rationality, can now participate in meaning-making. As algorithms generate coordinates and forms, they mirrorhuman methods of projecting belief, imagination, and wonder into the cosmos.
TOUCHDESIGNER | MACHINE LEARNING | 4 CHANNEL AUDIO | ARDUINO




Tension
2023



Four NEMA17 motors pull on a dynamic sculpture. The elongated and rebounding movements, which repeat in a continuous cycle, and the humanoid fabric suggest an unsettling emotion.
The tension and stress about off the brink issues and shrinking scoial space.
ARDUINO | PHYSICAL COMPUTING



The Ghost of Dust 
2023


The artist invited to collaborate on the exhibition was supported by Flux Factory's residency program. This group exhibition aims to express the cycle of prosperity and decline, and decline and prosperity, between land development and nature's counterattack. On this “island of nothingness,” the work represents the state of “heat death” after prosperity. In an empty room, sunlight shines in, illuminating dust and invisible particles. It gives a sense of spiritual emptiness and the joy of exploration.

TOUCHDESIGNER | UNITY | MAD MAPPER



In the Other World
2025



I am trapped in a 3D world, where the visual effects in Touchdesigner move slowly to the music. I press the MIDI pads in front of the projection to perform.

TOUCHDESIGNER | FARO ARM SCANNER | VCV RACK2 | BLENDER



Mid2000s Night’s Dream
2023



A story of a person’s whole life, a journy to witness the transition of a country.

 UNITY | C#



The Pictures I Used to Draw
2024



Through real-time visual effects adjustments, this device allows the faces of people standing in front of it to be drawn by my childhood self on mannequin heads. The technology utilizes projection mapping.
TOUCHDESIGNER | KANTAN MAPPER




PlantZen: 
WaterCycle
2023



An automatic watering system that uses capacitive sensors, humidity sensors, and soil moisture sensors to turn water and plants into musical instruments.
TOUCHDESIGNER | ARDUINO | ABLETON LIVE 12

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